Steve jobs 2015 movie script mac#

And the final payoff is that Lisa, who now has Internet access at school, has read it - has read about her father denying that heвЂ™s not her father. I want to use it to introduce the paternity issue, I want to use it because itвЂ™s going to pay off in the third act both when Joanna is giving a demonstration of his reality distortion field. So that information is something that I want to use. In fact, the sculptor himself is a well known guy whose name I forget. But, as Walter pointed out, it had nothing to do with Kottke - if you look at the cover, itвЂ™s a sculpture of a man at a desk with a computer, and that sculpture would have had to have been commissioned months and months in advance.

Steve had always blamed Dan Kottke for spilling the beans in that article about Steve having to take a paternity test and that whole situation with Lisa and believed that was the reason why he didnвЂ™t get the cover. As a matter of happy coincidence, Walter Isaacson, who was at Time Magazine in 1983 when all this happened, was able to tell me that Steve was never in the conversation for Man of the Year. Here is whatвЂ™s true, here is the important truth. ThatвЂ™s exactly the kind of thing I donвЂ™t mind making up. But the content of those confrontations is real. Obviously Steve did not have confrontations with the same five people 40 minutes before every product launch that he did. What if I make that the intention and obstacle of the first act? And begin hanging the stuff that really interests me, these points of friction in SteveвЂ™s life? I start hanging them, like on a clothesline, throughout the first act, and I would have to do the same thing in the second and the third. I need to look for an intention and an obstacle.

Steve jobs 2015 movie script mac#

So after stumbling across a fairly benign piece of information - which was that during rehearsals for the launch for the Mac in вЂ™84, they couldnвЂ™t get it to say hello and scrambled around trying to fix that - thatвЂ™s when I got the idea. And I like being behind the scenes, in this case literally behind the scenes. As a playwright I like claustrophobic spaces, I like condensed periods of time, especially if there is a ticking clock. IвЂ™m sort of faking my way through movies and television. So I started thinking about how can I dramatize these points of friction.ДЄnd I am most comfortable as a playwright really, which is what I know. And to me, most interestingly, most emotionally, between Steve and his eldest daughter, Lisa. Points of friction between Steve and Woz, between Steve and Chrisann Brennan, between Steve and John Sculley. And points of friction began to reveal themselves that I thought were interesting. So while I was trying to think of what I did want to do, I spent a lot of time talking to people who had been very close to Steve: all of the people who are represented by characters in the movie, except of course Steve, and several dozen others. I didnвЂ™t want to do something strictly journalistic because thatвЂ™s not what IвЂ™m good at and thatвЂ™s not why you would come to me. any number of articles written by you and any number of other journalists. I wanted to do a new take on Steve Jobs, since a biography is available in a number of forms, whether it was WalterвЂ™s book, Alex GibneyвЂ™s documentary. Was the choice you did make - a three-act structure built around three product launches - done mainly in service of telling a story for the movie, or did you feel it was the best way to get at Steve Jobs?Д«oth, really. We get a window into a part of Richard Nixon, but itвЂ™s specifically about those interviews with him. Similarly, by the same writer coincidentally, Peter Morgan, the movie Frost/Nixon is not a biography of Richard Nixon. She was at the center of the movie, but itвЂ™s about six days in Queen ElizabethвЂ™s life. Do you remember the movie from a few years ago, The Queen, with Helen Mirren? That wasnвЂ™t the biopic about Queen Elizabeth. It would be something much closer to a Wikipedia page dramatized.

If I were doing a biopic, an actual biopic -ДЄ biopic would be a cradle-to-grave story. When you take on a project about an actual person how much are you constructing a story, and to what degree do you have concern for the verisimilitude? How important is it to make the Steve Jobs in the movie, the real Steve Jobs? One more casualty in HollywoodвЂ™s boulevard of broken dreams. Now IвЂ™m curious why they wouldвЂ™ve asked me to do that. Aaron Sorkin: Well, I know that we quote you in the movie.Дropping your name could have only been our legal departmentвЂ™s note.